Joe Geesin at Record Col­lector Magazine wrote a fea­ture art­icle on Eloy for the magazines May 2012 Issue. A small snip­pet of the art­icle can be read here with the full art­icle avail­able online for sub­scribers of the magazine. The Magazine hits the streets today (26th April 2012)

An extract below fea­tures an inter­view with Heavy Metal Records and Revolver Records Man­aging Dir­ector, Paul Birch who talks about how the HMR deal with Eloy came about!

Paul Birch (FM Revolver)

The deal came through MIDEM in Cannes, France, the bands man­ager at the time was Wolfgang Rott - he came to our stand at the MIDEM around 1982. We had already signed Accept from Dieter Dirks in Cologne so we were known to the music industry there. Birgit Wir­itz from EMI Elec­trola was in touch with me, I flew out to Cologne and watched them per­form at a gig. I had an idea about how the band could be intro­duced here. I signed them for Plan­etsTime to Turn,Per­form­ance and Met­ro­mania. I would have done earlier albums but some­how the moment passed.

I was work­ing with Rod­ney on other albums sleeves, he had done Pred­ator for me by Bitches Sin, Dia­mond Head's Am I Evil, I felt he was exactly the right artist to work on Eloy and the band com­mis­sioned him dir­ectly to work on Met­ro­mania. There new man­ager after Wolfgang was Jür­gen (Yogi) Dramm, who ended up run­ning our Ger­man office.

Met­ro­mania was a CD release as well as LP and cas­sette. The LP releases were all spe­cially grained by Delga Press in Brom­ley, who still do our print today. The one thing I felt about their exist­ing art­work was that it let them down. They were a com­plex group and there album art needed to reflect that.

I loved the band then, still do. I am dis­ap­poin­ted they didn’t come back to the label fol­low­ing Met­ro­mania but Frank and the band knew their own mind and prob­ably had oppor­tun­it­ies that came along as a con­sequence of the new mar­kets they were now reaching.

EMI Elec­trola were about to drop the band when we signed them. EMI con­tin­ued with them until Per­form­ance when the band moved to SPV. Manfred's label was loc­ated in Han­nover, it was on the rise at that point and it was likely by then that the rela­tion­ship at EMI would have come to a nat­ural end.

Many thanks to Joe for this! Be sure to pick up a copy  of Record Col­lector Magazine to see the full fea­ture on Eloy and much more.

www.recordcollectormag.com
www.joegeesin.com